The
short film ‘A Favour’ is one which I
had to speculate whether I liked it or not and I decided that it’s not one of
my favourites, not because of the storyline as I think it’s an original,
creative and simple idea, but because there was not much emotion involved in the
scenes and in a completely personal view, just wasn’t keen on the whole
mise-en-scene and camerawork of the short. It starts with the split-screen narratives
of two contrasting families of a White British Male and a religious, Jewish
European male. As the audience, we are placed on neither side as for yet and
are being told this story through subjective character identification and in terms
of narrative range; it is a restricted narration as we do not know the point of
plot until the last scene. It could be seen as an episodic narrative as at
first we think these two families are apparently disconnected but come together
in normal circumstances, but as the end of plot reveals for the wrong reasons
in terms of the white male. The first scenes include the contrasting moving
images of two normal families completing what seems their normal morning
routine so personally I wasn’t gripped at the start which I believe is
essential as it is what makes the audience intrigued and interested. There was
a mix of camerawork involving angles and movement, flicking from one to another,
which I thought, was good as it was presenting just the average, rushed, family
morning. In the car park scene, I thought although the diegetic music helped
add realism, it was quite distracting as to focus on the significance of the
conversation when these two males meet, as the audience suspect they are
connected in some way and wish to make interpretations about how the plot will
unfold.
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